returning to mta records this september, the hotly-tipped josh butler delivers a 2 track release of robust house to follow up on his acclaimed *got a feeling* from earlier this year. with a recent remix of mta founders, chase & status, latest single currently doing damage across dance floors, and a string of key dj dates which include secret garden party, gottwood and subsoul (ibiza), *closer* drops in the midst of a busy summer for the rising leeds based artist.

after debuting on the recent seven daze a week sampler, belfast house heavyweight jmx comes with his own robust ep for us

despite the watery divide between them, brooklyn-bound greg schappert and london-based tom russell have fostered a production partnership as donor / truss for the last six years, emerging today as one of technos more robust and hardworking duos. as solo artists they ve racked up notable releases between them on labels like stroboscopic artefacts, perc trax and our circula sound, outside of schapperts own miniscule imprint. meanwhile russell has been stepping out as the acid-charged mpia3, lately flexing a less is more approach with outings on avian and r&s.

get the curse music 013 features oliver ho aka raudive, one half of duo the eyes in the heat. widely acclaimed for his vicious minimal techno grooves, raudives been on an machine funk bend and crafted two tracks which are as robust as they are potent. true to the gtcm philosophy, distinctions between vintage and modern, old school and new school, mind melting and bodily stimulation are brilliantly blurred. neither house, techno, ebm or synth punk, these tracks move in their own circles. the same can be said for the xenogears remix, miles away from the tired templates used and abused by most producers. fuck genres, lets dance.

the new night light records release is brimming with 4 killer techno tracks from the likes of mladen tomic, sinisa tamamovic, paride saraceni and dani sbert. blossoming tech beats, and robust bass lines, these four dance-floor tracks will provide the vibes you need for your parties! massive support from richie hawtin, dubfire, adam beyer, umek, paco osuna, kaiserdisco, monika kruse, mark knight, dj chus, joseph capriati, cristian varela, sian, yousef, bart skils and many more.

this record is made of free radicals. whereas maestro felix bernhardts original is a full throttle primetimer, climbing up the ledder of suspense to receive a thousand of italian kisses, the rework of wahrlich & carbon is condensing the tune into a very robust and clear-shaped construct of techno essence.

following last years acclaimed curse of soft rocks album, were invited to revisit said masterpiece from an alternative entry — a robust compilation of remixes. each track is wildly re-contextualized leaving us with a beautifully obtuse yet complimentary rendering. personnel employed vary in style and technique drastically, but such is the ethos of soft rocks, and furthermore the esp institute. at the end of the day, we implore you to shut up and listen. on this 12inch (the second of 3 surrounding the revenge of soft rocks remix album) esp mainstays cos/mes deliver a deep and sensual yet sinister take on little lights, and side b reveals an upbeat dubbed out version of wicker man by zurichs own lexx (running back, permanent vacation, leng) good lord this is quite a piece of wax!

following last years acclaimed curse of soft rocks album, we are invited to revisit said masterpiece from an alternative entry — a robust compilation of remixes. every track is re-contextualized so wildly that we are left with a beautifully oblique yet complimentary rendering. the personnel employed vary in style and technique drastically, but such is the ethos of soft rocks, and furthermore the esp institute. at the end of the day, we implore you to shut up and listen. on this 12 inch (the first of 4 surrounding the revenge of soft rocks remix album) we are treated with a serious disco belted version of talking jungle as reworked by justin vandervolgen (tbd, gold channel, dfa, etc, etc) and an insanely serene take on obo by esp favorite tiago (sea power & change, gala drop, dfa, etc, etc)... good lord this is quite a piece of wax

room 315 step up to the fledgling kinfolk imprint for three tasty psyche-edit numbers, opener >the eon men< sets the standard with its robust bass pulse driving a slow beat forward on a flurry of digitised synth solo and live guitar action, whilst >night on the shore< begins as a sinister number with lurching bass, but soon opens itself up with its solitary guitar line and floating synth pads which recall the end credits to an 80s thriller, all driven along with minimal 808 percussion. on the flip, edit masters soft rocks provide their own version of >the eon men<, taking the grizzled quality of the original and creating their own minimal wave inspired reworking, with a brittle bassline joined by shady echoes of dub music in its cavernous backdrop and savage low end.

the slat blinds in berlins panorama bar are part of the vjs equipment, and when the mood is right (usually around sunday afternoon),he opens them up to allow slices of sunshine to penetrate the smoky club air.it doesnt happen all too often,remaining something special amongst hours of darkness.but as ruede played the first version of shades in his last p-bar set, it seemed to happen just for him, as if he had written this tracks distinct break especially for this moment:everyone was mesmerized. re.you & rampa with a rmx for shades are also no strangers to such euphoria, and as ruede recently lent them his voice,they return the favor by building a robust, custom-made bass mobile for the a2.then, on the b-side, ruedes fellow band members from the noblettes make an appearance.as with shades,the focal point is also the big break,only this one has nothing to do with techno - its more of an indie-house ballad with dance ambition.

london-based deep house label ornate music come through with another gem in the shape of the latest ep from dubbyman, filled with robust, beatdown grooves. the ep opens with >time & sensibility<, creating an all-enveloping atmosphere with its oven-warm pads and rich analogue bass, punctuated with jazzy chords and vocal murmurings. >kirigi is coming<, meanwhile, showcases dubbymans excellent knack for crafting moodymann style textures with the depth to boot, combining a solid rhythmic snap with drawn out vocal landscapes and detroit-referencing melodies. finally >uuuuhhhh!!!!< closes the ep with its breathy intro and low slung filtered grooves combining with bubbling laser sound effect

recorded in the immediate aftermath of his last ep >passed me by<, this new doublepack from andy stott features six new productions that are more desolate and exposed than anything on its predecessor. the opening >submission< tumbles into being with layers of washed-out digital revolutions, creating an artificial landscape thats quite at odds with the analogue machinations that follow - yet somehow rendering the alienated feel of this material perfectly. >posers< nudges its way into being abruptly and embeds another squashed funk variant thas all low-lit neon and growling textures, awkwardly shuffling into a more robust 4/4 template suffused with sparkling percussion and disembodied vocals. >bad wires< is the centrepiece of the ep, a relentless percussive cluster*ck that belies its slow tempo with a fearless rhythmic attitude. its as immersive and narcotic as anything ever produced by stott - peeling away one layer after another with each repeated listen. >we stay together< (part one) was the first track written for the ep and offers a more spacious narrative and a more sparkling, hazy palette - culminating in a beautifully frayed central hook thats somehow in keeping with the vhs aesthetic of both jamal moss and ferris bueller. >cherry eye< tumbles deep into a darkened hole before ep closer >cracked< turns up, fuelled by an odd mixture of adrenalin and sorrow to send you on your way.... buzzing and forlorn

we present superb deep house treat from alex danilov - framing the ear worming lead refrain around a robust ny house bass line and crisp, punchy percussion with his seal of vintage touches. it kicks off with the track >pool< in which alex builds a chunky chicago/ny styled house cut with silky smooth synth pad and hypnotic vocal loops that carry on to theme of the b side chicago tribute >get old house<. this ep rounds up with the deep and playful >sequence smoke< poem track that will keep you going through the late night. we bring the funk !

>tuff enuff?< sounds just the way an affirmative answer to the titular question should: lean and muscular, with sinewy bass flexing its way straight through. its a song full of robust underpinnings and carefully placed counterbalances: synths that lustrously shimmer and slowly dissipate, keys that sparkle faintly at the quietest moments. the first single on from the cradle to the rave, the debut album from shit robot – aka marcus lambkin, aka >the godfather of dfa< – is a perfectly executed composition in >homage to chicago house, kraftwerk and gay electronic disco.< the b-side features a wild geese remix of >i found love<, another stellar track from lambkins debut. in the capable hands of djs dan foat and frank tope, the laidback original

punch drunk broadcasts two transmissions direct from the murky depths of the bristol underground. debut 12 inch from respected underground stalwart superisk conjures shaolin indebted psychedelic visions of pathways through austere times. mensah turns up the heat on the flipside, reimagining the originals melodics & infecting them with his signature robust high energy funk.

ig room ibiza vibes abound on this killer ep from solead, the parisian duo who have provided metroline with some of the labels most outstanding releases. in musica, tumbling beats and a melange of cuban pianos, horns and flutes play over a very robust rhythms to create an atmospheric big room builder.

new trolley bag fom magma für ca. 90 lps, robust und strapazierfähig, gepolsterte rückwand, 2.5cm dicke polster, bodenplatte 5-fach verleimt, außenmaße: b/h/t: 40/45/40 cm innenmaße: 32/31/28 cm

stepping up to quartz rec this time is exciting french talent okain.he delivers a mighty ep, with three kick ass techno cuts for your pleasure! title track blackrock marches straight from the off, with snares and hand claps combining to great effect. okains talent for droppingpercussive efx and sounds in his tracks is once again apparent. creating and expanding an atmosphere throughout with his swirling efx, tom toms and flute... he actually takes you in to the rain forest... to the blackrock!ghost city the name fits the track to perfection. the opening drums evoking pictures of a deserted town. those haunting synth stabs, andatmospherics swirling around you. then the vocals appear out of the darkness, with the spooky, trippy synth. nocturnal, driving music....where is monday takes us on a tough, housier journey. delicate toms open the show, and the pace increases as the robust, funk filled bass linedrops in. layer upon layer is woven by okain. brilliant, and cheeky vocal drops, and efx come at us throughout the track, as it keeps up itsintense pace and groove. awesome stuff.this is heavy. handle with care!!

keeping chicagos house heritage alive since the mid-90s, justin long and mazi namvar dj and co-produce as wasted chicago youth. aside from that, justin runs dotbleep (20:20 visions house imprint), while mazi co-runs fresh meat (part of the brique rouge family). aside from that, their work has surfaced on robsoul, cajual, junior boys own, dessous and many others. chase the devil is w.c.y.s fourth ep, which finds justin and mazi fine-tuning their craft, zooming in on their citys rich musical history, and adding their own personal details to the house tradition. mars or bust kicks things off with an onslaught of booms and snaps, effortlessly juxtaposing dirty beats with precise edits. on the flip, we have the fuzzy bounce of atomic supermen, followed by love thy enemy with its robust melodic interplay coming in and out of focus. another fine addition to the tuningspork catalog, made from 100% free-range, organic, not-from-concentrate funk.

profi dj bag from magma - viele extrataschen bieten viel platz zum verstauen von zubehör. sehr gute qualität, robust und langlebig.

jona bechtolt makes his way over to dfa for three tracks, all of which find him tailoring his endearing electronic pop squiggles into a far more serious sounding james murphy-friendly setup, complete with robust live kit sounds, disco drum patterns and tough no-wave basslines. both ‘summer song’ and ‘i’m in love with a ripper’ sound like perfect dfa fodder, with their slouchy rhythms and slick organic styling

bad landing is a throbbing mass of dub reduction fuelled by all the space and compression the very capable hands over at dubplates and mastering managed to cram into one side of vinyl. beyond the gargantuan bass weight you find yourself in the presence of a towering valve organ, a looped refrain slowly opening up to reveal a hook thats as catchy as it is incongruous. the a side is substantially more robust and propulsive, fine matallic dollar constructing itself out of sparse percussion and an elongated bassline thats as warm and destructive as you could possibly imagine. the chords here are gnarly and disfigured, slowly disintegrating into an oscillating wave of late night wonkiness that finds mr stott exploring yet another stylistic side street, emerging once again with his own utterly individual sound.

nation is back!! a double a side release by x2 (house not house) and xxart (the moment). its the usual suspects turning the knobs and pushing the faders again... (traxx, j.t.c. dmarc cantu) for some pure raw jacking house music (or jaking as they say). tracks inspired by the music box in chicago... the legendary place where all heads went back in the days. >the moment< is a simple track with an effective bassline and quick vocals... very playfull! >house not house< is a powerfull sci-fi trip with a robust acid bassline and a blasting ms20 and old schoolish keyboard strings. back to the basics.. back to the music that makes you jak. (dont sleep on this one... limited to 500 copies and no digital downloads!)

with his new 10inch single, >deserter<, and the forthcoming asa breed lp, dear works again under his birthname to combine his atmospheric production with distinctive vocals to craft a sophisticated take on avant-pop. >deserter< is a moody, robust and elegant marriage of beats and melody, including his best lyricism to date. its dawn music, submerged in a warm gauze of synths and anchored by a relentless backbeat. the exclusive >you know what i would do< hits the dance vibe that dear is known for with a prince-esque minimalism and funk, while the flip side hosts four tet s dreamy reinterpretation of >deserter< , owing as much to classic detroit techno as it does to balearic island classics

after the big success of gut feeling/frequency, this twelve sees the return of emalkay. bats in the belfry takes it to the next level with its solid half step beats, midnight strings and a bassline that rumbles with robust abandon. overflow on the flip causes extreme low end damge, while super duper takes bass notes up and down the octave only to smash it with an underlying hard edged beat

absolut hochwertiges und modernes trolley bag for 70 records, sehr robust und gut durchdacht, griff läßt sich einfahren und dann verstecken (bietet schutz und schaut gut aus), platten sind leicht schräge im bag dies erleichter das duchstöbern ...

new trolley bag fom magma für ca. 90 lps, robust und strapazierfähig, gepolsterte rückwand, 2.5cm dicke polster, bodenplatte 5-fach verleimt, außenmaße: b/h/t: 40/45/40 cm innenmaße: 32/31/28 cm

hardpercussive filter tracks, mix 1 a litte bit like t.schumachers big anthem

huron is back with his long awaited album Òinside informationÓ. the berlin based musician has come up with 13 original tracks for his album which sounds somewhere between the idm/glitch/electronica.
Òinside informationÓ is an accomplished coming of age for huron, a conceptual lp that brings together the elements that worked so well on his previous album Òthe other side of realityÓ on raumklang records and his ÒfissureÓ ep on mindtrick records and mixed it into a robust, coherent statement.